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DARK EYES

Full of thrills and screaming for a sequel.

A drop-dead-gorgeous heroine, evil dudes with guns and a perilous race through the streets of New York City make for a page-turning read.

When sassy, streetwise runaway Wally (née Valentina) Stoneman’s fake ID is lost as a result of the brutal murder of a friend, she comes face to face with the mystery of her lost Russian heritage, her missing mother and priceless jewels that have ruthless thugs chasing her up and down the streets of Manhattan. Richter is a screenwriter, and the pages of his first novel for teens turn quickly. Readers will feel as though they are watching a fast-paced action movie, with its multitude of daring escapes, witty one-liners, touch of passion and slew of dead bodies. The characterizations feel more stereotypical than original, but it works. Readers will recognize many of them: the beautiful heroine, the do-gooder cop, the bad boy, the slimy murderer and his sidekick. Action takes precedence over literary quality, but the chase sequences are so slickly written that readers will most likely not notice the novel's staccato sentence structure and wooden dialogue, or they'll forgive it anyway. What they will notice is Richter’s scenically keen sense of New York City geography as Wally and her cadre race back from Coney Island to SoHo to the Upper West Side fleeing for their lives.

Full of thrills and screaming for a sequel. (Thriller. 14 & up)

Pub Date: March 15, 2012

ISBN: 978-1-59514-457-7

Page Count: 384

Publisher: Razorbill/Penguin

Review Posted Online: Jan. 3, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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BINDING 13

From the Boys of Tommen series , Vol. 1

A troubling depiction of an unhealthy relationship.

A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.

Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.

A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)

Pub Date: Nov. 28, 2023

ISBN: 9781728299945

Page Count: 626

Publisher: Bloom Books

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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