Despite generic prose and plot, Martha the Pig contains at least a smile or two.
A mischievous pig gets into all sorts of trouble in a mildly amusing animal fantasy.
Martha begins life ignominiously as the runt of the litter. Her brothers and sisters push her aside at mealtimes, further stunting her growth and deepening her hunger. But Aunt Kate is quick to notice that Martha isn’t growing as a healthy pig should. The kind-hearted woman takes a shine to Martha and begins hand-feeding her plump pink shrimp while the others are left to plow through an unsavory blend of scraps and leftovers. Simple humorous illustrations include an obvious nod to Charlotte’s Web: Martha stands in the barnyard door, a spider’s web stretched across one corner. But any similarities between Vosper’s Martha and the children’s classic end here. The adorable hot pink pig depicted in illustrations of baby Martha soon gives way to portraits of a big, bossy and remarkably less-adorable hog. Martha’s antics soon get her into trouble with her fellow farm animals and the doting Aunt Kate. Tom the Turkey doesn’t appreciate Martha’s merciless teasing; she constantly pesters him by pulling at his tail feathers with her teeth. Nor is Aunt Kate impressed with the once vulnerable Martha after the pig goes on a rampage and ruins her backyard party. Aunt Kate’s crime? She forgot to feed Martha her customary shrimp dinner in the frenzy of preparations. A subsequent scene in which Martha attacks a grumpy bull by grabbing at his throat is particularly jarring and inappropriately violent for the book’s intended audience of preschool readers. Why Martha’s destructiveness and selfishness are tolerated for so long is unclear; her behavior toward the other barn animals is, for the most part, so mean-spirited that there is little to endear her to the reader.
Despite generic prose and plot, Martha the Pig contains at least a smile or two.Pub Date: N/A
ISBN: 17.99
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
A magical, deeply felt novel that breathes new life into an old genre.
A German teenager whose family moves to Alabama gets a deep-fried Southern gothic education.
Max is gifted, but if you’re thinking “honors student,” think again. He touches dead animals or withered plants and they return to life; whether his power (or curse, as Max thinks of it) works on dead people is part of the story’s suspense. The curse comes with pitfalls: Migraines besiege him after his resurrections, and he craves gobs of sugar. This insightful novel isn’t a fantasy, and Hudson treats Max’s gift as quite real. In addition, Hudson, an Alabama native, memorably evokes her home state, both its beauty and its warped rituals. Max’s father is an engineer, and the car company where he works has transferred him to a factory in Alabama; Max’s parents hope living there will give him a clean break from his troubled love for his dead classmate, Nils. Max is drawn to Pan, a witchy gay boy who wears dresses and believes in auras and incantations. Pan is the only person who knows about Max’s power. But Max also becomes enchanted with the Judge, a classmate's powerful father who’s running for governor and is vociferous about his astringent faith in Christ after an earlier life of sin (it's hard to read the novel and not think of Judge Roy Moore, who ran for U.S. Senate from Alabama, as the Judge’s real-life analogue). The Judge has plans for Max, who feels torn between his love for outcast Pan and the feeling of belonging the Judge provides. But that belonging has clear costs; the Judge likes to test potential believers by dosing them with poison. The real believers survive. Hudson invokes the tropes of Alabama to powerful effect: the bizarre fundamentalism; the religion of football; the cultlike unification of church and state. The tropes run the risk of feeling hackneyed, but this is Southern gothic territory, after all. Hudson brings something new to that terrain: an overt depiction of queer desire, welcome because writers such as Capote’s and McCullers’ depictions of queerness were so occluded.
A magical, deeply felt novel that breathes new life into an old genre.Pub Date: May 19, 2020
ISBN: 978-1-63149-629-5
Page Count: 272
Publisher: Liveright/Norton
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
A compelling exploration of self, family, love, and the power of new beginnings.
After a year in a coma, Annie Rush wakes up to a world without her husband, the TV she developed, and a wealth of memories that put her life into context, but as her body and mind heal, she puts her faith in second chances.
As a successful cooking-show producer who’s married to the gorgeous star, Annie knows she’s lucky, so she overlooks the occasional arguments and her husband’s penchant for eclipsing her. She’s especially excited the day she finds out she’s pregnant and, ignoring her typical steadfast schedule, rushes to the set to tell him. And discovers him making love to his onscreen assistant. Stunned, Annie leaves, trying to figure out her next move, and is struck on the head by falling on-set machinery. She wakes a year later in her Vermont hometown, as weak as a kitten and suffering from amnesia. As the days pass, however, she finds clues and markers regarding her life, and many of her memories begin to fill in. She remembers Fletcher, the first boy she loved, and how their timing was always off. She wanted to leave her family’s maple farm behind and explore the world—especially once her cooking-themed film school project was discovered and she was enfolded into the LA world of a successful food show. Fletcher intended to follow her, until life created big roadblocks for their relationship that they could never manage to overcome. Now, however, Annie’s husband has divorced her while Fletcher has settled in Switchback, and just as things look like they may finally click for Fletcher and Annie, her pre-accident life comes calling again. Wiggs (Starlight on Willow Lake, 2015, etc.) examines one woman’s journey into losing everything and then winning it all back through rediscovering her passions and being true to herself, tackling a complicated dual storyline with her typical blend of authenticity and sensitivity.
A compelling exploration of self, family, love, and the power of new beginnings.Pub Date: Aug. 9, 2016
ISBN: 978-0-06-242543-0
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: Aug. 2, 2016
Kirkus Reviews Issue: Aug. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
