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F.B. EYES

HOW J. EDGAR HOOVER'S GHOSTREADERS FRAMED AFRICAN AMERICAN LITERATURE

An occasionally intriguing work whose organization and diction consign it to reference status.

Maxwell (English and African-American Studies, Washington Univ.; New Negro, Old Left: African-American Writing and Communism between the Wars, 1999) reveals the obsession of the late FBI director with the lives and literature of leading black writers.

The author takes a hard look at the FBI’s reading and interpretations of African-American writing and at the personal lives of some of the greatest writers of the Harlem Renaissance and beyond. Having received myriad documents via the Freedom of Information Act (the author appends a list of more than 100), Maxwell painstakingly reconstructs the era and reimagines the principal players in this largely hidden drama—although he demonstrates later that many of the writers under surveillance were very well aware of it. Some of the author’s discoveries are startling. Playwright Lorraine Hansberry had the thickest file (over 1,000 pages); Claude McKay was the first black author the FBI focused on; Random House editor Bennett Cerf cooperated eagerly; J. Edgar Hoover believed James Baldwin was a “pervert”; Langston Hughes’ file exceeded 500 pages; Zora Neale Hurston and Jean Toomer seemed to have had no files at all. Perhaps the most surprising discovery, though, is how thoroughly the FBI “ghostreaders” read these writers’ texts, applying critical principles worthy of graduate students. Maxwell pauses in these sections to dive into the whirlpools of literary theory, journeys that numerous general readers would probably rather eschew. The author notes how the FBI backed off somewhat during the Depression and then returned to their focus during and after World War II. Maxwell also takes us to the current era and the works of Nikki Giovanni and Sonia Sanchez. This is a dense, academic text with a very conventional organization and with paragraphs thick with information and—sometimes—jargon.

An occasionally intriguing work whose organization and diction consign it to reference status.

Pub Date: Jan. 18, 2015

ISBN: 978-0691130200

Page Count: 320

Publisher: Princeton Univ.

Review Posted Online: Oct. 18, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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