Both respectful and scintillating.
A clever, surprisingly substantial take on the life of Jacqueline Onassis (1929 –1994).
Kuhn (History/Carthage Coll; The Politics of Pleasure: A Portrait of Benjamin Disraeli, 2006, etc.) admiringly portrays this American icon as a bookish creature born to uncertain privilege who embraced her more wealthy, connected husbands for security rather than a meeting of artistic minds. “Jackie,” as the author calls her throughout, came into her own as an editor only after second husband Aristotle Onassis died. Kuhn asserts that through her publishing list of nearly 100 books, first at Viking, then at Doubleday, this most private public person truly revealed what she cared passionately about. The author’s brisk, officious, often repetitive narrative moves quickly over Jackie’s early career, characterized by the thwarting of her earliest desires to be a ballet dancer and then a writer. Landing a job at Viking in 1975 fulfilled a kind of dream postponed—she had won Vogue’s Prix de Paris for her essay as a 21-year-old college student, gaining her an internship at the magazine’s Paris office, only to be forced by her mother to decline. She also found an important new mentor in former Vogue editor Diana Vreeland. Through Vreeland, Martha Graham and Bill Moyers, she developed her first successful books. The author traces Jackie’s professional development, from a “shy celebrity recruit” to a macher who could bring in big names via books by Michael Jackson, Naguib Mahfouz and Gelsey Kirkland. Kuhn argues that Jackie touched on forbidden themes in her own life—her husband’s adultery, the humiliation of marriage, political machinations—only through her list, including such books as Barbara Chase-Riboud’s controversial novel Sally Hemings (1979) and Elizabeth Crook’s novel about Sam Houston and Eliza Allen, The Raven’s Bride (1991). In between chronicling the titles shepherded by Jackie, Kuhn offers delicious tidbits of gossip, such as Jackie’s evident glee and pride at her salary increase and promotion to senior editor.
Both respectful and scintillating.Pub Date: Dec. 7, 2010
ISBN: 978-0-385-53099-6
Page Count: 368
Publisher: Nan A. Talese
Review Posted Online: Sept. 7, 2010
Kirkus Reviews Issue: Oct. 1, 2010
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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