A richly textured, engrossing collection of tales about people discovering who and why they love.
The subtle rules and rituals of relationships are unveiled in these quietly penetrating stories.
Young’s yarns capture ordinary Americans in moments of stress and resolution that change their attitudes toward marriage, love, and life. Tales include the following: A man takes boxing lessons and deploys them against his wife’s lover; a Harvard graduate student engages in a game of mutual exhibitionism with a neighbor through a window, which falters when he encounters her in a bookstore; a dad becomes fascinated with a 13-year-old neighbor girl’s lesbian affair with a classmate; a young woman arriving in San Francisco meets the playboy scion of a famous painter on a nude beach and accompanies him back to his yacht; a formerly homeless woman picks up a currently homeless man on the beach in Venice, California; a Mexican American English professor in Los Angeles is drawn to a splendidly manly actor brimming with alt-right conspiracy theories; and a four-story cycle tracks a young man growing up in the 1960s from a high school romance to young adulthood as he withers under a failing marriage and an agonizing job as a door-to-door cookware salesman under the shadow of the Vietnam War. Young’s protagonists are adrift and dissatisfied, full of ruminations about their lives and larger political and racial tensions, and they’re usually pretty horny and avid for sex as a transformative or at least edifying experience. His spare, clear prose is raptly observant of mundane moments (“He wanted to know more about her—but having already said goodbye twice, no doubt starting up once more would strike the girl as odd, or aggressive”). But in lyrical passages, he conveys a sense of something grander underlying the everyday (“She laid out the bedroll, opened the wine, and watched as the light from the sunset curved and spread throughout the valley, like the hand of a god”). Young’s characters are steeped in confusion, but the collection is lit with a painful awareness and yearning that make them fascinating.
A richly textured, engrossing collection of tales about people discovering who and why they love.Pub Date: March 1, 2021
ISBN: 978-1-73442-362-4
Page Count: 149
Publisher: Bowker
Review Posted Online: April 22, 2021
Kirkus Reviews Issue: June 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
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