by William P. Singley ‧ RELEASE DATE: Dec. 8, 2014
A tender story of a childhood isolated by island life and tempered by world events.
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A novel about a young man’s struggle to navigate a tumultuous childhood without a father.
Singley (Hook Up, 2014, etc.) describes this bildungsroman as a brief history of a small island off the New Jersey shore from 1948 to 1959. The story begins with a reunion at the Whitefish Tavern, a time-honored haunt for those who grew up on the seasonal vacation retreat. Once the novel introduces its colorful cast of adult characters—a legion of men who still bear the traces of their youthful selves—a man called “Buckeye” steps to the podium to read his account of his childhood (and theirs as well) on South Absecon Island. The remainder of the book relates a narrative within a narrative, as Buckeye reads his book, Downbeach—a story that’s as much about a place and a time as it is about the island’s inhabitants. Much of the tale, as Singley relates it, has the quality of journal entries, without a clear, linear plot structure; it’s more like a pastiche of youthful memories. Buckeye effectively recounts a host of adolescent adventures, including some minor (and not-so-minor) crime, boyish pugilism, and sexual experimentation. Singley reveals Buckeye’s precocious sensitivity when he encounters his first real love interest, Angel, a babysitter visiting the island for the summer; she sadly doubles as Buckeye’s first heartbreak, as well. Holding together this patchwork of remembrances is the narrator’s struggle to manage his entry into manhood without the guidance of his dad, who died during the World War II invasion of Normandy. He also thinks of how his mother dealt with his father’s absence: “Behind me…hung the captain’s photograph; without looking I could feel it. If my Dad...if he had lived, she wouldn’t be sleeping in an old chair in a worn housecoat with a warm can of beer for company.” Overall, this novel’s depiction of the wildness of adolescence is often lighthearted and funny. At the same time, it’s always haunted by the specter of war in the background—and the havoc it wreaks on those left to mourn.
A tender story of a childhood isolated by island life and tempered by world events.Pub Date: Dec. 8, 2014
ISBN: 978-1499639858
Page Count: 272
Publisher: CreateSpace
Review Posted Online: Feb. 18, 2015
Kirkus Reviews Issue: April 15, 2015
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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