The ninth volume of tidbits of stylistic wit and wisdom from a man willing to display his grammar in public. A letter calling a political column by Safire (In Love with Norma Loquendi, 1994, etc.) ``a pack of damn lies'' earns the letter writer a mention in Safire's New York Times Sunday Magazine ``On Language'' column, source of the articles in this lively collection. ``That comment troubled me,'' Safire says. ``Should it be damn lies or damned lies?'' He opts for damned, explaining that the first form is grounded in speech, and the second in meaning. As he says, ``speech can be loose but writing should be tight.'' This sentiment may lure copy editors to his side, at least until they reach the section entitled ``Let's Kill All the Copy Editors.'' Here Safire explores capitalization preferences and compound adjectives, concluding that style should be based upon function, not fad. His engaging language-maven persona puts him securely on a shortlist of people who can get away with grousing about the lack of subject and verb agreement in ``For the wages of sin is death''; but let him put a (metaphorical) foot wrong, and folks note it with something approaching, well, damned glee. For example, after he berates New York State lawmakers for using a legal guide ``shot through with grammatical errors,'' a correspondent points out that ``grammatical errors'' is an oxymoron. The collection is seasoned with the whimsy language-lovers have come to expect. Consider the musings on what to call Ross Perot's supporters. When Safire ponders and rejects Perotites, Peronistas, and Perotniks, his readers counter with Perotselytes, Perotnoiacs, and the rather tastier Perogies. Yet again, readers will find that Safire's apparently endless capacity to be fascinated by language is highly contagious.
Pub Date: Sept. 1, 1997
ISBN: 0-679-42387-7
Page Count: 416
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1997
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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