by William Saubert ‧ RELEASE DATE: N/A
An absorbing but underdeveloped tale of a doleful, destructive romance.
A debut autobiographical novel focuses on a man’s disastrous relationship with a self-absorbed woman who has a long criminal history.
Keri Davidson begins having intercourse at a young age and eventually trades sex for money. But after she marries for the first time, she gets hooked on prescription drugs. To feed her habit, she steals from her boss at a boutique, landing her in jail. Hoping for a “fresh start,” she and her husband move to Los Gatos, New Mexico, where they have two children. Unfortunately, Keri’s drug use persists, and while increasing debt ends her marriage, her periodic thievery leads to more time behind bars. She’s in her 50s by the time she meets 60-something Bill on an online dating site. It’s been more than a year since Bill lost his beloved wife to cancer, and he’s ready for a relationship. But his troubles begin when he gives Keri a manager job at one of the four retail stores he owns. Despite Keri’s swindling tens of thousands of dollars from his store, Bill is determined to stick with the woman and even marries her. She responds with psychological abuse, which entails berating him, disregarding him, or threatening him with a sexual harassment charge. Bill, who at the time is unaware of much of her past, suspects Keri of having an affair. But when he takes others’ advice and considers severing his ties with Keri, he learns some frightening things about this enigmatic woman.
Saubert, who partially based his engrossing story on real-life experiences, begins his book by focusing on Keri’s background. Readers may feel a modicum of sympathy for her: Keri’s parents, who adopted her as an infant months before a surprise pregnancy, were apparently more affectionate with their birth son. But her predominantly dark backstory establishes her as an unstable individual, so her inevitable encounter with Bill is ominous. The author, utilizing plain prose, unflinchingly details difficult discussions and somber events, including a fair amount of violence, both physical and verbal. While he’s primarily dedicated to presenting everything simply, Saubert provides some intriguing insights into the mind of an abused person. For example, he equates Bill’s refusal to end the relationship with Stockholm syndrome but more tellingly calls it the “Keri Effect”—a mix of positive and negative emotions that the character can’t otherwise explain. Most chapters end with a short section titled “What I found out later,” in which the author updates readers on Keri’s misdeeds that Bill hasn’t yet discovered. It’s a useful reminder of Bill’s dreadful predicament even when he still has hope. Some people surrounding Bill and Keri remain frustrating mysteries. There’s very little in the narrative about Keri’s brother, Robert, for one, while Saubert, after introducing Bill’s prospective girlfriend Maria, teases that there’s “quite a bit more” to her story, which readers sadly don’t learn. But there is another victim of Keri’s who ultimately connects with Bill, clearly revealing the lasting damage that an individual can inflict on others.
An absorbing but underdeveloped tale of a doleful, destructive romance.Pub Date: N/A
ISBN: N/A
Page Count: 175
Publisher: Manuscript
Review Posted Online: Sept. 11, 2020
Review Program: Kirkus Indie
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by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Fredrik Backman translated by Neil Smith
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by Fredrik Backman ; translated by Neil Smith
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SEEN & HEARD
by Ali Hazelwood ‧ RELEASE DATE: Sept. 14, 2021
Fresh and upbeat, though not without flaws.
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An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.
Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.
Fresh and upbeat, though not without flaws.Pub Date: Sept. 14, 2021
ISBN: 978-0-593-33682-3
Page Count: 384
Publisher: Berkley
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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