by William Sleator & illustrated by Ruth Sanderson ‧ RELEASE DATE: March 5, 1979
"Maybe we should call the police," Paul suggests. "And tell them what? That we're getting messages from a dog?" says Francine. Paul and Francine are seventh-grade classmates thrown together because they're both experiencing the same terrifying recurrent dream. It turns out too that they can communicate without words. But how so? Well, they trace their common experience to a Nevada motel-stay with divorcing mothers four years earlier, when a pregnant woman, there with her pregnant dog, encountered a flying saucer in the motel parking lot. Now the two offspring have even stronger ESP than Paul and Francine; Noah, the human child, also has psychokinetic powers, and Cookie, the dog, can see the future. That's why the two strange men are following all the children. They want Noah for their own ends (CIA skulduggery) and Paul and Francine must save him. They do, after the obligatory chase—through an amusement park, no less—that ends with Paul and Noah on a broken Ferris-wheel seat which Noah, to save them from crashing, sends floating off into the air and then gently down for a landing. "I expect that from now on you'll be dealing with scientists and doctors instead of secret agents," says the TV newsman who happened to be on the spot with cameras. Far-fetched, but fast-paced—kids with a taste for psi-fi fantasy won't stop to look down.
Pub Date: March 5, 1979
ISBN: 0141308141
Page Count: 127
Publisher: Dutton
Review Posted Online: May 9, 2012
Kirkus Reviews Issue: March 1, 1979
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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