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RAPUNZEL AND THE SEVEN DWARFS

From the Maynard Moose series

Continuing efforts to find a two-legged audience for the woodland tales of Maynard Moose, veteran yarnspinner Claflin follows up The Uglified Ducky (2008) with another “distremely” hilarious mashup. Related in moose dialect, the tale has young Punzel cutting off her “goldie” locks after they become “all full of sticks and twigs and little nastified wudgies of glop” and then tangle hopelessly in the bushes during her flight from a witchy hair stylist. With help from “eight or nine seven dwarfs” with names like Clumsy, Hyper, Grizelda and Ambidexterous, she escapes for a while but eventually falls victim to the witch’s poisoned watermelon. Her glass coffin becomes a tourist-magnet centerpiece for a dwarf-run amusement park until the clumsy Handsome Prince comes riding along on a snow-white moose to fall onto the coffin and wake her. Using dark backdrops that brighten the colors of the blocky figures in the foreground, Stimson places the escapade in a traditional medieval setting. He endows the fugitive damsel with oversized spectacles and slips in droll details like Japanese tourists visiting a “Punzeldog” stand at the roadside attraction. In the end, Punzel falls for the moose, the Prince marries the witch and all “lived happily for never afterwords.” Moral? “[T]here ain’t no moral,” the antlered narrator concludes. Plenty of belly laughs, though. Packaged with a recorded version delivered in a Bullwinkle-ish lisp. (glossary) (Fractured fairy tale. 8-11)

Pub Date: April 1, 2011

ISBN: 978-0-87483-914-2

Page Count: 32

Publisher: August House

Review Posted Online: April 8, 2011

Kirkus Reviews Issue: March 1, 2011

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THE SINGING ROCK & OTHER BRAND-NEW FAIRY TALES

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...

The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.

Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)

Pub Date: June 18, 2019

ISBN: 978-1-59643-750-0

Page Count: 112

Publisher: First Second

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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BOOK UNCLE AND ME

Yasmin’s campaign should help inspire young readers to believe in their own potential to make a difference and teach the...

When her source of books is threatened, so is 9-year-old Yasmin’s goal of reading a book a day “forever.”

The inspiration behind and assistant to her in that goal is Book Uncle, owner of a free lending library on the street corner where she lives. His motto is to provide the “right book for the right person for the right day.” When Book Uncle is forced to shut down his lending library because he can’t afford the permit, Yasmin is disappointed and confused. She is then motivated to try and get the lending library back in business and enlists the help of her friends and then their larger neighborhood. All this happens amid a mayoral election, which provides the perfect background for the plot. Yasmin is a precocious, inquisitive protagonist with a tendency to speak before she thinks. Her relationships with her family and friends read as authentic and loving, even, and perhaps especially, in the moments when they are not perfect. This all lays the foundation for the community organizing that later becomes so necessary in effecting the change that Yasmin seeks to make. Swaney’s playful, childlike illustrations advance the action and help to bring Yasmin’s Indian city to life.

Yasmin’s campaign should help inspire young readers to believe in their own potential to make a difference and teach the valuable lesson that sometimes it takes several small actions to make big moves. (Fiction. 8-11)

Pub Date: Sept. 13, 2016

ISBN: 978-1-55498-808-2

Page Count: 152

Publisher: Groundwood

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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