Rybczynski is an artful conductor and learned hand who leaves much of the pleasure of architectural discovery to readers.
The erudite and architecturally well-traveled Rybczynski (Makeshift Metropolis: Ideas About Cities, 2010, etc.) offers a brimming toolkit that we should bring to “our daily experience of buildings, which is practical as well as aesthetic.”
In this robust tour of architecture—in which he offers plenty of opinions, without being overly opinionated, and a host of useful, disarming illuminations—the author delivers a conceptual framework for approaching architecture, in addition to presenting the many different intentions and theories of architects. It is also written for the man and woman on the street, the story of these settings of everyday life allowing readers into architects’ heads. Rybczynski writes with equal felicity on architecture as art—why a building touches us and speaks to us—as well as its function and realization. He moves with ease, accompanied by copious examples and illustrations, among significant moments in the architect’s work: the importance of the specificity of site; symmetries and axes, movement, orientation and disorientation; how the setting can be both embraced and set in opposition; working with a street grid, a brassy or refined environment; fashioning a small house in a cramped lot. In architecture, writes the author, the materials are the message, as in the skin of a building: tight, soft, heavy, light, ornamental, flat or backlit. There are all the details and quirks that can make or break our immediate response to a building—a Rem Koolhaas studio railing is a lovely example—and there are all the creations, borrowings, manipulation and nurturings of style, not to mention the furtive notions of taste, suitability and proportion.
Rybczynski is an artful conductor and learned hand who leaves much of the pleasure of architectural discovery to readers.Pub Date: Oct. 8, 2013
ISBN: 978-0-374-21174-5
Page Count: 368
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 14, 2013
Kirkus Reviews Issue: Aug. 1, 2013
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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