Brimming with cinematic tension, this novel offers relationships and revelations more precious than a £500,000 inheritance.
Londoner Lily Chen descends into the maze of 1990s Hong Kong to piece together her late mother’s secret past in this slow-burning mystery.
Some people learn about their family histories through photo albums and bedtime stories. Twenty-five-year-old Lily Miller, formerly Li-Li Chen, receives a letter in the mail at her London home informing her of a large inheritance from a stranger that has some connection to her late mother, Sook-Yin Chen. Still recovering from a suicide attempt she made while studying at Cambridge, Lily finds herself jolted out of her passive routine—volunteering and therapy—and takes off for the labyrinthine metropolis of Hong Kong two months before the 1997 handover from the U.K. to China. In alternating chapters we learn that, back in 1966, Sook-Yin was sent by her family from Kowloon to London to train as a nurse. The journey was less a once-in-a-lifetime opportunity than a semipermanent exile ending with her death in a suspicious “road accident.” In a series of gut-wrenching conversations, Lily discovers the price that Sook-Yin paid for surviving in her new environment: By choosing to “give up her culture” and become “a banana,” she lost the respect of her loved ones back home. Treading sure-footedly on uneven terrain, author Wharton unpacks chauvinist attitudes about race and nationality from the perspectives of both the colonized and the colonizers, painting, through bitter twists and turns, a picture of diasporic people whose origins are their most valuable MacGuffins. Two complex histories are nested within one another, a testament to the mutually inextricable struggles of a mother and daughter who, in life, pass each other like two ships in the night.
Brimming with cinematic tension, this novel offers relationships and revelations more precious than a £500,000 inheritance.Pub Date: April 25, 2023
ISBN: 9780063239746
Page Count: 400
Publisher: HarperVia
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
A perfectly charming read for devotees of the written word and anyone who’s ever hoped to find love in a bookstore.
An anonymous note left in a used book creates a surprising love triangle in Seattle.
April knows she’s become a bit too isolated while working remotely for an online real estate company. Her only social interactions come from awkward blind dates and apologetic texts from busy friends who have left her behind. Perhaps it’s this loneliness that causes her to take drastic, romantic action. She leaves an anonymous note in a book she sells to local bookstore Read the Room—it’s meant for the eyes of the cute flannel-wearing man who works at the used-book counter. But that cute employee, Westley, doesn’t see the note before putting the book—Magpie Murders by Anthony Horowitz—on the shelf. Instead, it’s found by widowed mother Laura, who thinks it’s Westley’s way of covertly communicating with her, and she responds by leaving a note in a copy of The Hunger Games, as April instructed in her original letter. Westley, meanwhile, has no idea why women are staring at him from the young adult section—he’s focused on a movie that’s filming at Read the Room. As April and Laura unwittingly leave each other letters, the many characters in the bookstore’s orbit get to know each other and unlikely connections form. In her debut novel, Seattle Times arts critic Macdonald writes her own love letter to bookstores, and the community and comfort they can provide. The writing has the feel of a British rom-com, despite the Seattle setting, which gives the story a cozy air. Although there are romances brewing, the story is ultimately about the courage it takes to go after the life you want.
A perfectly charming read for devotees of the written word and anyone who’s ever hoped to find love in a bookstore.Pub Date: May 27, 2025
ISBN: 9780593851296
Page Count: 320
Publisher: Dutton
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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