by Wolfgang Herrndorf ; translated by Tim Mohr ‧ RELEASE DATE: June 19, 2018
It’s bizarre, wacky, and broad—but highly entertaining, especially for fans of the Vonnegut/DFW school of the absurd.
A beguiling, idiosyncratic exercise in postmodern bafflement by the late artist/novelist Herrndorf (Why We Took the Car, 2014, etc.), awarded the Leipzig Book Fair Prize for it in 2012.
Somewhere along the coastal desert of northwestern Africa—Herrndorf isn’t specific, but it’s a former French colony, so perhaps Mali—four disaffected foreigners living in a commune have been killed in a murder whose payoff is a basket of fruit and a wicker suitcase full of an unknown currency. The case draws attention: There’s an American woman “best seen from afar”—no surprise that her last name and hotel room add up to the moniker of a far-distant star—and a Swedish double agent with nuclear secrets to sell. Then there are two cops assigned to the case, one of them a Frenchman who took the gig to get away from a girlfriend in Paris and who “didn’t have a clue about Africa.” He worries that he doesn’t have a clue about much of anything, since he scored lower on an intelligence test than his partner, who’s dumb enough to bring about his own demise thanks to a miscalculation having to do with the political influence of the prime suspect. Then there’s the guy whose head was bashed in and wanders in from the desert, an amnesiac, apparently well connected enough to international plots of derring-do that the Stasi, the CIA, and a sinister pseudo-psychiatrist are after him. Electrical shocks ensue, whereupon the amnesiac “talked about everything he knew, and he talked about the things he didn’t know, too.” In this rollicking shaggy-cum-sandy dog of a tale, no one knows much of anything, save that the badder the bad guy the more reliable the information. Herrndorf, it seems, had trouble deciding what this story would be—a satire? a spy novel? a thriller? Suffice it to say that if you mashed up the Ian Fleming of Casino Royale with Tin Drum–era Günter Grass and threw in a little Paul Bowles for leavening, you might get something approaching this concoction.
It’s bizarre, wacky, and broad—but highly entertaining, especially for fans of the Vonnegut/DFW school of the absurd.Pub Date: June 19, 2018
ISBN: 978-1-68137-201-3
Page Count: 464
Publisher: New York Review Books
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
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BOOK REVIEW
by Wolfgang Herrndorf ; translated by Tim Mohr
by David Baldacci ‧ RELEASE DATE: Dec. 2, 1997
Irritatingly trite woman-in-periler from lawyer-turned-novelist Baldacci. Moving away from the White House and the white-shoe Washington law firms of his previous bestsellers (Absolute Power, 1996; Total Control, 1997), Baldacci comes up with LuAnn Tyler, a spunky, impossibly beautiful, white-trash truck stop waitress with a no-good husband and a terminally cute infant daughter in tow. Some months after the birth of Lisa, LuAnn gets a phone call summoning her to a make-shift office in an unrented storefront of the local shopping mall. There, she gets a Faustian offer from a Mr. Jackson, a monomaniacal, cross-dressing manipulator who apparently knows the winning numbers in the national lottery before the numbers are drawn. It seems that LuAnn fits the media profile of what a lottery winner should be—poor, undereducated but proud—and if she's willing to buy the right ticket at the right time and transfer most of her winnings to Jackson, she'll be able to retire in luxury. Jackson fails to inform her, however, that if she refuses his offer, he'll have her killed. Before that can happen, as luck would have it, LuAnn barely escapes death when one of husband Duane's drug deals goes bad. She hops on a first-class Amtrak sleeper to Manhattan with a hired executioner in pursuit. But executioner Charlie, one of Jackson's paid handlers, can't help but hear wedding bells when he sees LuAnn cooing with her daughter. Alas, a winning $100- million lottery drawing complicates things. Jackson spirits LuAnn and Lisa away to Sweden, with Charlie in pursuit. Never fear. Not only will LuAnn escape a series of increasingly violent predicaments, but she'll also outwit Jackson, pay an enormous tax bill to the IRS, and have enough left over to honeymoon in Switzerland. Too preposterous to work as feminine wish-fulfillment, too formulaic to be suspenseful. (Book-of-the-Month Club main selection)
Pub Date: Dec. 2, 1997
ISBN: 0-446-52259-7
Page Count: 528
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
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by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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