by W.W. Marplot ‧ RELEASE DATE: June 29, 2020
An often sweet and joyful work that will reward patient readers.
In Marplot’s middle-grade fantasy epic, a group of teens befriends fantastical beings in trouble.
Thirteen-year-old Arty lives in the Belle Terre area of Long Island, New York. He's a science-minded student who loathes interruptions to his organized schedule. One misty Wednesday morning, he spies something outside in his family’s yard. With the help of his three dogs, Arty finds a Dwarf, with a long beard, muscular build, and an ax, who’s seems as if he’s stepped out of a fantasy novel. He doesn't speak English, but because he keeps saying the word “Thryst,” Arty refers to him by that name. Soon, Thryst locks eyes with the teen and supplies him with a vision of a mountainous realm and a Dwarf army. Arty’s best friend, the artistic Emma, is surprised that he’s been missing classes at Fontaine Middle School. She finds him at the local library doing research on mythical Dwarves; they soon find that their obnoxious classmate Ted is spying on them. Soon, Thryst’s ax begins “ringing,” and he vanishes, but later, in Arty’s bedroom, another magical being arrives: an unattractive, fairylike Spriggan whom Emma names “Sprugly.” Emma’s new acquaintance speaks some English and mentions a place called “New Island.” Adding to the intrigue is a man all dressed in brown who appears at the edge of Arty’s property. His name is Abcedarius Zyxvuts, and he knows exactly how Long Island figures into fairy history. Arty and Emma later team up with other kids, including fantasy-genre fan Cry Chesterton, to help out Thryst, who has a sad story of his own.
Marplot communicates the excitement of being a young fantasy fan in this grand adventure. Chapters from Arty’s and Emma’s perspectives quickly establish a humorous tone, with Emma ribbing her somewhat square friend in lines such as “He’s not the ready-for-action type, unless it says ‘Action, Wednesday, 8 am,’ on a sticky note of the right color.” The structure makes rare chapters from others’ points of view feel even more clever: “I am Ted. You know what's great about me? I can get involved in any story whenever I want.” The prose often has a lyrical bounce to it, as well: “Ted, shining like a poet in Paris, forced a smile on Mary, with all the grace of a cafeteria spitball.” This may challenge some younger readers, but others will find it playful. Fine details bolster the fairy-tale atmosphere, such as German nanny Gretel—named after the character in “Hansel and Gretel”—who blurs the line between reality and fantasy. Marplot’s audience will need some patience, though, as Arty and his friends take their time using books, maps, and runes to discover their main antagonist, Gwyllion, the Old Woman of the Mountains. Also, some chapters, such as one from the perspective of the aforementioned Mary, who “can sense fairies,” lean on excessive exposition to define complex concepts. By the end, Arty learns the lesson that answering the question “why” is often “harder than math.”
An often sweet and joyful work that will reward patient readers.Pub Date: June 29, 2020
ISBN: 978-1-73475-830-6
Page Count: 420
Publisher: Waxing Gibbous Books
Review Posted Online: May 4, 2022
Review Program: Kirkus Indie
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by W.W. Marplot
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Peter Brown ; illustrated by Peter Brown
by Aubrey Hartman ; illustrated by Christopher Cyr ‧ RELEASE DATE: May 2, 2023
A pleasing premise for book lovers.
A fantasy-loving bookworm makes a wonderful, terrible bargain.
When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)
A pleasing premise for book lovers. (Fantasy. 9-12)Pub Date: May 2, 2023
ISBN: 9780316448222
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
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by Aubrey Hartman ; illustrated by Marcin Minor
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