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WHITE TIGER PASS

ESSENTIAL READS ON FEMALE EMPOWERMENT, AN INSPIRING BOOK FOR EVERY WOMAN'S JOURNEY

Some may be turned off by this emotional ultramarathon of a book, but others may relish every mile.

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In rural China of 30 years ago, three young women struggle against the customs of their time and place.

Prolific author Xuemo has written extensively about the Chinese peasantry and the situations of women in its society. The novel follows two sisters-in-law, Ying’er Chen and Lanlan Chen, and Yue’er, whose story comes later. Ying’er and Lanlan are caught in a “swap” marriage, a practice by which Ying’er married Hantou, the eldest son of the Chen family, while the Chens’ daughter, Lanlan, was married off to Ying’er’s brother, who proved to be abusive. Soon widowed, Ying’er is left with a son, the issue of her and her true love, Lingguan, Hantou’s young brother, who then decamped to the big city. Now Lanlan has moved back home and wants a divorce from her abusive mate, Bai Fu, and the Chens want to see their widowed daughter-in-law remarried while she’s still young (and regardless, they want to keep their cherished grandson). Bai Fu wants his wife back, and this swap-marriage custom complicates everything enormously. We must also mention Mengzi, another Chen son who is desperate to find a wife. All of these people are just scraping by, so money becomes an obsession in the corner of the desert, Shawan, “where even wolves won’t shit.” Then gold is discovered at White Tiger Pass, the rush is on, and Shawan will never be the same again. Money, or its absence, is also a catalyst fueling deception, jealousy, envy, all the nasty emotions. Ying’er and Lanlan decide to head for the salt fields deep in the desert to make money and become more independent; it’s an epic trek where being besieged by jackals is only one terrifying detail. Yue’er’s part, almost an addendum, presents the love story of her and Mengzi.

This book contains almost everything possible in its emotional reach, complicated plot, and rampant philosophizing. The author seems incapable of reining in his storytelling urges, which unspool luxuriously. One wishes that Xuemo had a merciless editor to do a lot of chopping. The themes in the book are clear: the devastating effects of poverty and the evils of greed. As one might guess, the gold rush is a mixed blessing; riches for some and the end of an older, simpler life for others. One hesitates to talk about verbal style since this is a translation, butcan assume that the pungent aphorisms and metaphors reflect a certain literary and cultural tradition. For instance, someone is described as “a little donkey frightened by its own farts” (flatulence seems a very popular allusion), and we are told that “even your teeth fight with your tongue sometimes.” The whole idea of swap marriages could be a comic opera setup, but these are grim rather than humorous proceedings. Indeed, fatalism seems to be the reigning philosophy, and after this saga of unrelenting adversity and misery, one understands how it would be seductively attractive. There is a good amount of superstition involved and even magical realism. Xuemo is very popular in China, with a prodigious output. A long, annotated list of his publications (see back matter) attests to a one-man spiritual and cultural phenomenon. It’s not surprising that, like Cher and Prince and Madonna, he sports just one name.
Some may be turned off by this emotional ultramarathon of a book, but others may relish every mile.

Pub Date: May 13, 2025

ISBN: 9798889910183

Page Count: 550

Publisher: N/A

Review Posted Online: July 16, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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  • New York Times Bestseller

A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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