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WHITE TIGER PASS

ESSENTIAL READS ON FEMALE EMPOWERMENT, AN INSPIRING BOOK FOR EVERY WOMAN'S JOURNEY

Some may be turned off by this emotional ultramarathon of a book, but others may relish every mile.

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In rural China of 30 years ago, three young women struggle against the customs of their time and place.

Prolific author Xuemo has written extensively about the Chinese peasantry and the situations of women in its society. The novel follows two sisters-in-law, Ying’er Chen and Lanlan Chen, and Yue’er, whose story comes later. Ying’er and Lanlan are caught in a “swap” marriage, a practice by which Ying’er married Hantou, the eldest son of the Chen family, while the Chens’ daughter, Lanlan, was married off to Ying’er’s brother, who proved to be abusive. Soon widowed, Ying’er is left with a son, the issue of her and her true love, Lingguan, Hantou’s young brother, who then decamped to the big city. Now Lanlan has moved back home and wants a divorce from her abusive mate, Bai Fu, and the Chens want to see their widowed daughter-in-law remarried while she’s still young (and regardless, they want to keep their cherished grandson). Bai Fu wants his wife back, and this swap-marriage custom complicates everything enormously. We must also mention Mengzi, another Chen son who is desperate to find a wife. All of these people are just scraping by, so money becomes an obsession in the corner of the desert, Shawan, “where even wolves won’t shit.” Then gold is discovered at White Tiger Pass, the rush is on, and Shawan will never be the same again. Money, or its absence, is also a catalyst fueling deception, jealousy, envy, all the nasty emotions. Ying’er and Lanlan decide to head for the salt fields deep in the desert to make money and become more independent; it’s an epic trek where being besieged by jackals is only one terrifying detail. Yue’er’s part, almost an addendum, presents the love story of her and Mengzi.

This book contains almost everything possible in its emotional reach, complicated plot, and rampant philosophizing. The author seems incapable of reining in his storytelling urges, which unspool luxuriously. One wishes that Xuemo had a merciless editor to do a lot of chopping. The themes in the book are clear: the devastating effects of poverty and the evils of greed. As one might guess, the gold rush is a mixed blessing; riches for some and the end of an older, simpler life for others. One hesitates to talk about verbal style since this is a translation, butcan assume that the pungent aphorisms and metaphors reflect a certain literary and cultural tradition. For instance, someone is described as “a little donkey frightened by its own farts” (flatulence seems a very popular allusion), and we are told that “even your teeth fight with your tongue sometimes.” The whole idea of swap marriages could be a comic opera setup, but these are grim rather than humorous proceedings. Indeed, fatalism seems to be the reigning philosophy, and after this saga of unrelenting adversity and misery, one understands how it would be seductively attractive. There is a good amount of superstition involved and even magical realism. Xuemo is very popular in China, with a prodigious output. A long, annotated list of his publications (see back matter) attests to a one-man spiritual and cultural phenomenon. It’s not surprising that, like Cher and Prince and Madonna, he sports just one name.
Some may be turned off by this emotional ultramarathon of a book, but others may relish every mile.

Pub Date: May 13, 2025

ISBN: 9798889910183

Page Count: 550

Publisher: N/A

Review Posted Online: July 16, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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