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HARD LIKE WATER

Admirers of Yan’s work won’t be disappointed with this turn to straightforward narrative.

Chinese novelist Yan sets aside the “mythorealism” of books past to deliver a gritty, memorable story of love in a time of choler.

Revisiting his The Four Books (2015), Yan takes us to a mountain village where just about everyone is descended from the Confucian scholars known as the Cheng Brothers, to whom a temple is dedicated. Gao Aijun, one young man outside the Cheng clan, has returned to Chenggang after serving in the army just in time for the Cultural Revolution. Married into the local Communist Party chief’s family—“it was precisely because he was Party secretary that I married his daughter,” he admits—Gao is a man on the make; he also confesses to harboring a desire to kill his wife. His bad behavior builds when he falls in love at first sight with a beautiful outsider who is married to the local schoolteacher, Cheng Qingdong, who “appeared very cultured and intellectual and looked as though he were about to be swept away by the revolution.” Wooing her with a timely pitch—“Hongmei, let’s pursue revolution together”—Gao goes about waging a war on the village leadership and, as Mao commanded, destroying the monuments of old, serving his own interests even as he carries on the affair. The two make love where they can, even inside a tomb where “the smell of death and decay mixed with the scent of damp straw,” unappealingly enough, even as, one by one, those who stand in their way disappear from the scene. Hongmei isn’t quite Lady Macbeth, but she still spurs Gao to commit more crimes so that, “when half of this town government is yours, we won’t have to sneak around like thieves anymore.” Their revolutionary ardor dims a touch when they run afoul of bigger party bosses, however, and Yan’s study of power and class struggle becomes, in the end, a near-classic tragedy with the subtlest of nods to his version of magical realism.

Admirers of Yan’s work won’t be disappointed with this turn to straightforward narrative.

Pub Date: June 15, 2021

ISBN: 978-0-8021-5812-3

Page Count: 384

Publisher: Grove

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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