A moving account of friendship in the shadow of the Japanese Southern Expansion policy.
A (fictional) Japanese writer explores the colorful and complex culinary, linguistic, and political dynamics that shaped life in 1930s Taiwan.
Originally published in Mandarin Chinese in 2021, the book is presented as a translation of a rediscovered 1954 Japanese novel by a young writer named Aoyama Chizuko. Based on the fame of a film adaptation of her novel A Record of Youth, Aoyama is invited on a lecture tour by the government-general of Taiwan and a women’s group. She lands on a busy, colorful island where “everything teemed and surged toward me under the cobalt sky.” Amidst the frenzy of “charades-like gesturing” in the process of negotiating with a marketplace fruit vendor, she is rescued by a charming young woman, who turns out to be her translator. As she and the woman, whom she nicknames Chi-chan, travel together, she finds herself drawn into an increasingly deeper friendship and begins to think that all is not as it seems. For the daughter of a concubine who was sent to live with her mother’s poor jute-farming family, Chi-chan reveals an amazing proficiency with languages; she is also well versed in popular culture and remarkably skilled at rolling dice. As Aoyama insists on probing her friend about her past, Chi-chan continues to hold back, insisting that the closeness she longs for is out of reach. Their journey together approaches its end, and Aoyama gets closer to uncovering Chi-chan’s true history, but will that bring them closer together or tear them further apart? Yáng's sharp observation blends with sensitive, sometimes subversive political meditations to create a colorful portrait of pre–World War II Taiwan.
A moving account of friendship in the shadow of the Japanese Southern Expansion policy.Pub Date: Nov. 12, 2024
ISBN: 9781644453155
Page Count: 320
Publisher: Graywolf
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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