Moskovich offers her readers little insight into either her characters or plot, and the result is frequently alienating.
A stabbing sets off a mysterious chain of events.
When Olga was a baby in the Soviet Union, a boy from her apartment building went up to the sixth floor and stabbed an older woman three times. Now Olga is all grown up and living in Milwaukee with her girlfriend, Angelina. Then, suddenly, Nikolai Neschastlivyi—the stabber—starts calling her phone in the middle of the night. Despite all these details, though, it’s hard to say what Moskovich’s latest novel is actually about. Nothing here is straightforward or linear. The prose appears in short bursts, each one topped by an all-caps header and most no more than a few sentences in length. One is titled “YEARS PASSED.” The text that follows: “I forgot all about Nikolai from floor five.” The next header reads: “AND THE OLD LADY WHO GOT STABBED?” followed by: “What was her life, lived with such precise values, against ours, unfolding into daylight like a corn being husked.” The effect of all these flashes and bursts of prose is rather like that of a pane of glass that has shattered onto the floor. Individually, the shards are slick and sharp, but taken together, it’s hard to know what to make of them. There’s a diner in this book, and a waitress named Lisette, and then somehow Olga is in jail with someone named Tanya, and then, finally, the first-person narration is taken over by a dog. How these details connect to each other is anyone’s guess. Olga’s brother stabs Tanya, but does this actually happen, or is it a dream? And if it happened, when did it happen? And why? Moskovich doesn’t give us anything to go on, and that makes it hard, in the end, to feel much of anything for these characters—including a sense of humor.
Moskovich offers her readers little insight into either her characters or plot, and the result is frequently alienating.Pub Date: May 18, 2021
ISBN: 978-1-953387-02-8
Page Count: 188
Publisher: Two Dollar Radio
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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