Yin and Soentpiet collaborate for the second time (Coolies, 2001) with this long first-person story narrated by a Hispanic boy named Willy. His best friend, Carlos, is in a wheelchair due to an unspecified accident, and they both live in a New York City high-rise apartment building in a neighborhood that Willy calls “scary and rough.” Willy sends Santa an e-mail asking for a gift for Carlos, and Carlos does the same for Willy. On Christmas Eve, Santa arrives in the street outside and, after a long climb up 19 flights of stairs, shedding his garb along the way, gives Carlos a basketball (even though he can’t use it in his wheelchair) and Willy a telescope. The basketball and Santa’s visit are supposed to give the boys hope, and perhaps they shall, though it’s a stretch. Soentpiet’s realistic watercolor illustrations give each character an individual personality, and Santa seems quite real, especially when he arrives in the street, as he struggles to make it up the stairs with his pack of heavy gifts, and in the cover illustration as he looks at his computer screen. Though the overall story is a touch sentimental, its realistic urban setting, not seen enough in picture books, will help it find its audience. (Picture book. 6-8)
Pub Date: Sept. 1, 2002
ISBN: 0-399-23636-8
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23444-6
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A club-shaped pumpkin gets dissed by a customer, all the other pumpkins, even twisted apple trees, before the sight of a motley crop of hubbards, acorns and banana squash brings on a personal epiphany: “O my gosh / I’m a squash.” Endowed with a face and stick limbs, the gnarled narrator sits down at a Thanksgiving table with its new soulmates, then is last seen strolling down the lane hand in hand with a lumpy new friend. Written in doggerel—“A skeleton came for pumpkins / one bright and crispy day. / I asked if I could get a ride . . . / He laughed and said: No Way”—and illustrated in brightly colored paint-and-paper collage, this weak riff on the “Ugly Duckling” may not earn high marks for botanical accuracy (all pumpkins are squash), but it does feature plenty of visual flash. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-399-24267-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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