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HAMMERIN’ HANK

THE LIFE OF HANK GREENBERG

Hank Greenberg was not the first Jewish baseball player in the major leagues, but he was perhaps the first star ball player who was Jewish, and certainly the first elected to the Baseball Hall of Fame. All through his career he faced anti-Semitism in many forms, including epithets and threats, from bigoted fans, other players and team owners. He remained observant and refused to play on Yom Kippur even though his team, the Detroit Tigers, was fighting for the pennant. He stated many times that he identified with Jackie Robinson, and he was one of the few opposing players who supported him openly from the beginning. McDonough’s dispassionate retelling of Greenberg’s biography carefully includes all the salient facts, and a few pertinent quotes. Zeldis’s naïf, detailed gouache illustrations are bright and childlike and provide a complementary focus for the text. A good introduction to a somewhat neglected baseball player. (statistics, chronology, glossary, bibliography) (Picture book/biography. 8-10)

Pub Date: May 1, 2006

ISBN: 0-8027-8997-8

Page Count: 32

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2006

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WHERE DID JOSIE GO?

PLB 0-688-16508-7 Buckley’s Josie, first spotted in 1962, is as sprightly as ever in Ormerod’s illustrations, nimbly eluding her family’s search. As Josie’s mother, father, and brother go looking for her around the house, they are accompanied by the musical wordplay: “Did she go inside the house—rosy house, posy house? Did she go inside the house? Is that where Josie is?” Readers can search along with Josie’s family, and will spy Josie’s legs under the table or behind a coat. Ormerod’s artwork is winsome, although the literalness of her visual narrative confines the poetry rather than liberating it. Yet the pulse of Buckley’s words is bewitching, and readers may even want to take them outside and jump rope to their beat: “Look! Is that a rosy nose, a dozy nose, a posy nose? And do you see two ribbon bows? Can you count? Are there ten toes?” (Picture book. 2-7)

Pub Date: April 1, 1999

ISBN: 0-688-16507-9

Page Count: 24

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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THE BABE AND I

Adler (also with Widener, Lou Gehrig, 1997, etc.) sets his fictional story during the week of July 14, 1932, in the Bronx, when the news items that figure in this tale happened. A boy gets a dime for his birthday, instead of the bicycle he longs for, because it is the Great Depression, and everyone who lives in his neighborhood is poor. While helping his friend Jacob sell newspapers, he discovers that his own father, who leaves the house with a briefcase each day, is selling apples on Webster Avenue along with the other unemployed folk. Jacob takes the narrator to Yankee Stadium with the papers, and people don’t want to hear about the Coney Island fire or the boy who stole so he could get something to eat in jail. They want to hear about Babe Ruth and his 25th homer. As days pass, the narrator keeps selling papers, until the astonishing day when Ruth himself buys a paper from the boy with a five-dollar bill and tells him to keep the change. The acrylic paintings bask in the glow of a storied time, where even row houses and the elevated train have a warm, solid presence. The stadium and Webster Avenue are monuments of memory rather than reality in a style that echoes Thomas Hart Benton’s strong color and exaggerated figures. (Picture book. 5-9)

Pub Date: April 1, 1999

ISBN: 0-15-201378-4

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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