by Yoss ; translated by David Frye ‧ RELEASE DATE: July 10, 2018
A disappointing and disturbing sci-fi follow-up.
Cuban sci-fi author Yoss (Super Extra Grande, 2016, etc.) returns with another offbeat space comedy.
In the 24th century, humans have finally met aliens and discover that the protocol for contact throughout the galaxy is…sex. Josué Valdés is a Cuban “condomnaut,” a sexual ambassador living in a Catalonian space colony who brokers deals with extraterrestrials and boldly goes where no man has gone before. When news reaches New Barcelona that the first beings from outside our galaxy may have reached the Milky Way, Josué and his crew race to be the first to make contact and make a profit on whatever new technology they discover. Along the way, they’ll have competition not only from other aliens, but also from other spacefaring humans, including his archrival, German condomnaut Jürgen Schmodt. The story concludes with an alien sex surprise that readers may find comical or revolting—or possibly both. As in Super Extra Grande, the insubstantial plot is scarcely more than a framework to explore a far-out universe. Although the concept of contractual sex with aliens isn’t new (see also: Larry Niven’s Ringworld series), all its possibilities are fully explored here, although Yoss mostly cuts away before things get too explicit. However, there’s an unsettling flashback to 9-year-old Josué’s life, in which he discusses his desire for 6-year-old Evita. (He’s already had sex with his best friend, Abel.) At one point, Josué and Abel bathe her, “no longer staring at her naked body quite as innocently as we had the year before.” Later, Josué’s compelled to have sex with a morbidly obese woman, Karlita the Tub, which leaves him unable to perform sexually with any human woman and gives him an enduring disgust for fat bodies. Josué continues to long for the late Evita—who was raped and murdered by age 8—and tells readers that he calls “everybody with a BMI over 35” a “fucking whale.” Obviously, this sexualization of children and relentless fatphobia destroys what could have been another rollicking space tale—like the far-better Super Extra Grande.
A disappointing and disturbing sci-fi follow-up.Pub Date: July 10, 2018
ISBN: 978-1-63206-186-7
Page Count: 208
Publisher: Restless Books
Review Posted Online: Sept. 17, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by Yoss ; translated by David Frye
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by Yoss ; translated by David Frye
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Pierce Brown ‧ RELEASE DATE: Feb. 9, 2016
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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