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CHINA IN TEN WORDS

More engaging than profound, Yu Hua’s essays say much about the continuing enigma that is China.

Acclaimed Chinese novelist Yu Hua (Brothers, 2010, etc.) offers a series of essays that combine memoir and trenchant social critique.

Born in 1960, Yu Hua is of a generation that has been witness to China’s astounding and perplexing economic and social transformations. While each essay is loosely themed around a common Chinese word—e.g., “People,” “Leader,” “Reading,” “Writing”—the book reflects on the author’s experiences during the Cultural Revolution of the 1960s and ’70s and expresses his feelings on how China has and has not changed since then. As a boy during that time, Yu Hua was mostly bored, as there was little to do and little outside of Mao Zedong to read. Still, his stories of the cruelties and inanities of the time make clear his conclusion that the Cultural Revolution made for “a life made up of equal parts stifled instincts, dreary freedom, and hollow verbiage.” For no particular reason he could discern, the Chinese government decided in 1978 that Yu Hua should be a dentist. And so he was, until his literary career took off in the ’80s, just as the market economy in China took flight. His curmudgeonly conclusion is that China has entered into “an era of impulsive self-indulgence” and “moral bankruptcy and confusion of right and wrong.” For Yu Hua, revolution in China never disappeared “but simply donned a different costume.” The mad dash toward change remains. The author is hardly pedantic here, however, as he makes his points in sharply observed tales about everyday life. The translation preserves both his simple, direct style and subtle sense of humor.

More engaging than profound, Yu Hua’s essays say much about the continuing enigma that is China.

Pub Date: Nov. 8, 2011

ISBN: 978-0-307-37935-1

Page Count: 240

Publisher: Pantheon

Review Posted Online: Sept. 17, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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