A superb literary mystery that leaves readers, like the protagonists, constantly guessing.
Enigmatic, elegant novel by one of modern Japan’s leading novelists.
A mother whose son has died surrounds herself with bathroom tissue, “as though she were trying to convince herself that she was worth less than a roll of toilet paper.” She fears that her son was a serial killer. And everywhere, as Tsushima writes, “the end of the world is here, now,” an end wrought by “a tsunami so big you couldn’t believe your eyes,” bringing on—after Hiroshima and Nagasaki—Japan’s third nuclear disaster. That disaster has had the effect of making the impossible happen: Mitch, who hates Japan, has returned home to the apartment that his late friend, Kazu, bequeathed to him. Death stalks Tsushima’s novel, whose protagonists, she slowly reveals, are the mixed-race children of GIs who abandoned them and whose mothers, grieving but without recourse, put them up for adoption, some to be taken off to distant lands. Tsushima writes empathetically of those children and the racism they endured: “At the orphanage, being Black was normal, and Mama never said anything about it,” says Kazu. That the keeper of the orphanage was a kindhearted woman who sincerely believed the children would be happier abroad does not help: One arrives in America only to grow up to die in Vietnam, and in any event all harbor a terrible secret from childhood that grows in intensity even as the adult orphans enter their 50s. Part ghost story and part noir thriller, Tsushima’s narrative unfolds carefully, small details building even as Tsushima draws broad connections: the color orange sets the killer off, the soldiers who murdered Chile’s dissidents in 1973 wore orange uniform shirts, the Americanized orphan died in a jungle doused with Agent Orange, and, as Mitch observes quietly, “Time surges forward and keeps blowing back.”
A superb literary mystery that leaves readers, like the protagonists, constantly guessing.Pub Date: March 18, 2025
ISBN: 9780374610746
Page Count: 272
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 11, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
PERSPECTIVES
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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