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THE MISSING PAIRS

An intriguing whodunit couched in a simple story of friendship and indulgence.

In a community of animal friends, personal items are going missing.

It’s a late autumn day. Fox has lost a sock, Hare has lost a mitten, Badger has lost a boot. “Lost” signs are made for the missing pairs and posted on neighboring tree trunks. Bear seems to have a solution and encourages everyone to climb in his cart to ride across the meadow and to the top of the hill, where they come upon a pear tree. “No, no, no! NO! / Not pear, Bear, PAIR!” Bear’s misunderstanding is loudly acknowledged by the others when suddenly they notice, at the bottom of the hill, Dog harboring a spread of all their missing pairs. Realistic acrylic paintings in deep hues with textured brush strokes to elicit the furry/fluffy coats and whiskers of the animals provide clues throughout. Looking carefully, readers see several illustrations with Dog in the far background running with one or another of the items seen on the lost signs. Other details, such as a family of hedgehogs each with a windfall apple stuck on its prickles, charm. The easily read text, conveyed mostly in dialogue and playfully incorporating the occasional rhyme, brings the mystery to a close as Dog suggests they “Share?” while rightful ownership is restored. Despite Dog’s initial behavior of innocent appropriation, a well-meaning atmosphere of cooperation and camaraderie persists. (This book was reviewed digitally.)

An intriguing whodunit couched in a simple story of friendship and indulgence. (Picture book. 3-5)

Pub Date: Aug. 24, 2021

ISBN: 978-0-06-284289-3

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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