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THE MISSING PAIRS

An intriguing whodunit couched in a simple story of friendship and indulgence.

In a community of animal friends, personal items are going missing.

It’s a late autumn day. Fox has lost a sock, Hare has lost a mitten, Badger has lost a boot. “Lost” signs are made for the missing pairs and posted on neighboring tree trunks. Bear seems to have a solution and encourages everyone to climb in his cart to ride across the meadow and to the top of the hill, where they come upon a pear tree. “No, no, no! NO! / Not pear, Bear, PAIR!” Bear’s misunderstanding is loudly acknowledged by the others when suddenly they notice, at the bottom of the hill, Dog harboring a spread of all their missing pairs. Realistic acrylic paintings in deep hues with textured brush strokes to elicit the furry/fluffy coats and whiskers of the animals provide clues throughout. Looking carefully, readers see several illustrations with Dog in the far background running with one or another of the items seen on the lost signs. Other details, such as a family of hedgehogs each with a windfall apple stuck on its prickles, charm. The easily read text, conveyed mostly in dialogue and playfully incorporating the occasional rhyme, brings the mystery to a close as Dog suggests they “Share?” while rightful ownership is restored. Despite Dog’s initial behavior of innocent appropriation, a well-meaning atmosphere of cooperation and camaraderie persists. (This book was reviewed digitally.)

An intriguing whodunit couched in a simple story of friendship and indulgence. (Picture book. 3-5)

Pub Date: Aug. 24, 2021

ISBN: 978-0-06-284289-3

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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