Next book

BUSY BEING EVE

A vivid, impressive collection by a dynamic poet.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A chapbook of poetry focuses on a kaleidoscope of memories, challenges, and experiences.

Morris waxes poetic about small moments with power, grace, and beauty in this collection. “Slight” hints at a departure “on a March morning when you whooshed / right out of my life, backspace, backspace, / backspace.” She considers human nature in “Side by Side,” concluding, “Maybe love is mostly assembly, bit by bit.” The titular poem details a woman’s painstaking recovery from pneumonia, which seems to incite an existential crisis. A mother lingers over coffee and the newspaper, gossiping about boyfriends in “Another one in the pen.” “Lean” is a writer’s manifesto in which the speaker directly addresses poetry and declares: “I’ve got to be startled out of / my indifference, stowed here in my office chair. / A poem has got to make me stand up or else.” A 5-year-old boy injured during a Superman fantasy gone awry is the subject of “Early Impact.” “Paris, 1988” juxtaposes the author’s experience in the City of Light with her veteran father’s memories of leaving that country in the back of an Army truck after liberation. Morris writes of “waiting for donkey work to end” and wondering what preceded a soulless office building in “Night Season.” Even quotidian happenings, such as remodeling an extra bedroom or a cat coming home with a dead bird, garner their own poems. No word is wasted in this slim volume. Morris’ poems will hit readers like a punch in the gut—quick, hard, and unforgettable. She stimulates all five senses as she recalls “the swoosh of the heat pump,” “the old clock’s patient beat,” and kitten heels that “rattle like ice.” A kitchen counter becomes an “overturned boat,” while the memory of a beloved’s kisses is “like fresh snow.” Describing a creative writing professor, Morris writes he “smoked in bed and drank on his feet,” and his eyes were “no longer the crystal / lakes that had lapped the edge of childhood dreams.” Even a seemingly silly poem about a “fuzzy lollipop” becomes sly and sensual under the author’s pen.

A vivid, impressive collection by a dynamic poet.

Pub Date: Sept. 26, 2022

ISBN: 978-1387600571

Page Count: 34

Publisher: Lulu.com

Review Posted Online: Jan. 3, 2023

Categories:
Next book

DAVID HOCKNEY

A beautifully produced, engaging homage.

Celebrating a beloved artist.

Published to coincide with a major exhibition of works by British-born artist David Hockney (b. 1937) at the Fondation Louis Vuitton, Paris, this lushly illustrated volume offers a detailed overview of the artist’s life and work, along with chapters focused on his various styles and subject matter, a chronology, and a glossary of the many techniques he employed in his art, including camera lucida, computer, and video. Contributors of essays include noted art historians and curators, such as Norman Rosenthal, who edited the volume; Simon Schama; Anne Lyles; James Cahill; and François Michaud. Growing up in the north of England, Hockney was drawn to the light and sparkle that he found in Hollywood movies. When he finally arrived in Los Angeles, the sunlit landscapes inspired him, and his new sense of artistic freedom concurred with sexual freedom: As a gay man, he felt liberated from the constraints that had weighed on him in Britain, even in the “relative Bohemia” of the Royal College of Art. Essayists reflect on his artistic interests, such as landscapes, portraiture, flowers, and the opera—for which he created boldly exuberant sets—as well as on his influences and experimentation. Michaud examines the impact on Hockney of a visit to Paris in the 1970s, where he became familiar with Henri Matisse and his contemporaries from museum exhibitions. In the 1990s, visiting his mother and friends in Yorkshire, Hockney painted both outdoors and in the studio, experimenting with various media—including the photocopier and fax machine—as he worked to render the woodsy landscape. As a companion to the exhibition, the volume offers stunning reproductions of Hockney’s prolific works. Enormously popular with museumgoers, Hockney, Rosenthal exults, “transforms the ordinary and the everyday into the remarkable.”

A beautifully produced, engaging homage.

Pub Date: June 3, 2025

ISBN: 9780500029527

Page Count: 328

Publisher: Thames & Hudson

Review Posted Online: April 16, 2025

Kirkus Reviews Issue: May 15, 2025

Categories:

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2023


  • National Book Critics Circle Finalist


  • National Book Award Finalist

Next book

ORDINARY NOTES

An exquisitely original celebration of American Blackness.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2023


  • National Book Critics Circle Finalist


  • National Book Award Finalist

A potent series of “notes” paints a multidimensional picture of Blackness in America.

Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.

An exquisitely original celebration of American Blackness.

Pub Date: April 25, 2023

ISBN: 9780374604486

Page Count: 392

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 18, 2023

Kirkus Reviews Issue: Feb. 15, 2023

Close Quickview