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RACING ORION

Although much of this is cartoonishly over-the-top, there is surely an enthusiastic audience for it.

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In Franz’s thriller, one CIA agent strives to save the world from the mother of all viruses.

CIA agent Jeremy Kent was a mole in a bad guys’ outfit and was discovered, but only after he had snatched and hidden the antidote to the most insidious and powerful artificial virus known to humankind. Of course, he does not crack under torture, and in the nick of time, escapes. (In fact, he escapes time and time again!) Jeremy is being chased now all across Europe, and in a particularly harrowing getaway, beautiful innocent bystander Allison Shaw is pulled into the chaos. Now it is the two of them on the run—and of course the seeds of love have been planted. They have the antidote to the virus but must retrieve a key (don’t ask) that has been stashed in Buckingham Palace. Franz certainly knows how to keep things moving. The chapters are very short, and unlike thrillers with more subtle plots, this one is really just one long, relentless, hair-raising chase. The good guys are good, and the bad guys are horrifically, pathologically bad. Jeremy is not George Smiley but rather James Bond, squared. At one point, he chews into his own shoulder to get out a capsule that will simulate death. He is shot, knifed, and thrown around like a rag doll, but he always recovers with, seemingly, no lasting effects. There are some good if overwrought lines (“A cloud of nightmarish déjà vu instantly filled the cabin”), and the writing is generally up to the job despite occasional typos. At the climax, all seems lost, but we have learned by now to trust in the hokey faith that Franz has instilled in us.

Although much of this is cartoonishly over-the-top, there is surely an enthusiastic audience for it.

Pub Date: Oct. 1, 2021

ISBN: 978-1-09-837913-1

Page Count: 308

Publisher: BookBaby

Review Posted Online: Sept. 20, 2021

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RICH JUSTICE

Sturdy legal thrills for readers willing to go the distance with a flawed hero in an even more flawed world.

Now that he’s won two high-profile murder cases, Alabama “billboard lawyer” Jason Rich takes on his most challenging client: himself.

When methamphetamine lord Tyson Cade is gunned down outside a grocery store moments after clerk Marcia “Dooby” Darnell spurned his latest advance, you’d think the woods would be full of suspects, from Matty Dean, the distributor who immediately seizes violent control of the Sand Mountain meth operation in Cade’s absence, to the hard-used Dooby herself. But newly appointed Marshall County Sheriff Hatty Daniels and newly reelected D.A. Aloysius Holloway “Wish” French ignore all the others to concentrate on Jason, whose two earlier brushes with Cade brought him nothing but grief, who was seen nearby and caught on camera a few minutes later, and whom Cade identified as his killer with his dying breath. Insisting against all advice on defending himself, Jason accepts an inspired suggestion as his advisory counsel: Shay Lankford, the career prosecutor Wish French defeated in the last election. After rooting around endlessly in local secrets and scandals that take a heavy toll on Jason’s allies, profiler Albert Hooper comes up with enough evidence to guarantee a mistrial. But Jason doesn’t want a new trial; he wants to win the trial he’s in, and eventually he does, though not without spending a good deal of time relitigating the painful legacies of his first two murder cases. And although this case seems designed to avoid the very possibility of a surprise ending, Bailey closes by pulling a rabbit as big as a kangaroo from his hat.

Sturdy legal thrills for readers willing to go the distance with a flawed hero in an even more flawed world.

Pub Date: May 7, 2024

ISBN: 9781662516634

Page Count: 527

Publisher: Thomas & Mercer

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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NO COUNTRY FOR OLD MEN

Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by...

Almost as frustrating as it is commanding, McCarthy’s ninth (and first since the completion of his Border Trilogy: Cities of the Plain, 1998, etc.) is a formidable display of stunningly written scenes that don’t quite cohere into a fully satisfying narrative.

It’s a bleak chronicle of murder, revenge and implacable fate pocked with numerous echoes of McCarthy’s great Blood Meridian (1985). Here, the story’s set in 1980 in southern Texas near the Mexican border, where aging Sheriff Bell, a decorated WWII veteran, broods heroically over the territory he’s sworn to protect, while—in a superb, sorrowful monologue—acknowledging the omnipresence of ineradicable evil all around him. Then the focus trains itself on Vietnam vet Llewellyn Moss, a hunter who stumbles upon several dead bodies, a stash of Mexican heroin and more than $2 million in cash that he absconds with. The tale then leaps among the hunted (Moss), an escaped killer (Anton Chigurh), whose crimes include double-crossing the drug cartel from which the money was taken, the Army Special Forces freelancer (Carson Wells) hired by druglords and—in dogged pursuit of all the horrors spawned by their several interactions—the intrepid, however flawed and guilty, stoical Sheriff Bell: perhaps the most fully human and sympathetic character McCarthy has ever created. The justly praised near-biblical style, an artful fusion of brisk declarative sentences and vivid, simple images, confers horrific intensity on the escalating violence and chaos, while precisely dramatizing the sense of nemesis that pursues and punishes McCarthy’s characters (scorpions in a sealed bottle). But this eloquent melodrama is seriously weakened by its insufficiently varied reiterated message: “if you were Satan . . . tryin to bring the human race to its knees, what you would probably come up with is narcotics.”

Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by William Faulkner.

Pub Date: July 25, 2005

ISBN: 0-375-40677-8

Page Count: 352

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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