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CAREFREE BLACK GIRLS

A CELEBRATION OF BLACK WOMEN IN POPULAR CULTURE

An insightful, provocative, heartfelt blend of memoir and social commentary that is as revelatory as it is celebratory.

Essays exploring the lives of Black women through the lens of contemporary pop culture.

“Black girls are everything,” writes Blay, adding that “the culture that Black women pour their talents and their creativity into, the culture that emulates Black women, steals from Black women, needs Black women, is the same culture that belittles Black women, excludes Black women, ignores Black women.” A former senior culture writer for HuffPost, Blay was the first person to tweet #carefreeblackgirl, which became a popular shorthand for celebrating Black women. These well-crafted essays, which the author wrote during a period of deep depression and anxiety, helped her get “reacquainted with the concept of joy and freedom.” She discusses a number of issues including fatphobia; sexual exploitation and trauma; righteous anger and the Angry Black Woman trope; mental wellness and the Strong Black Woman trope; and the pain and insidiousness of colorism. Blay also deftly unpacks the public push back from some Black women against the term “carefree Black girl.” Throughout the collection, she brings compelling and astute cultural criticism together with reflections on her personal evolution as a Black woman. Blay’s thoughtful analysis of everything from viral Instagram moments and popular TV shows to headline news about Michelle Obama and Breonna Taylor makes for an infectious read. A chapter devoted to rapper Cardi B considers how she and other Black women rappers “tell us so much about the culture and about ourselves.” But Blay isn’t writing as a fangirl. With Cardi and other public figures, films, and other media, she navigates both adulation and earned critique as well as those important spaces where the personal is definitely political. She also raises timely questions about homophobia, transphobia, cancel culture, representation, and appropriation.

An insightful, provocative, heartfelt blend of memoir and social commentary that is as revelatory as it is celebratory.

Pub Date: Oct. 19, 2021

ISBN: 978-1-250-23156-7

Page Count: 256

Publisher: St. Martin's Griffin

Review Posted Online: Aug. 23, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

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Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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