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GRASS SOUP

A haunting prison diary that depicts the epic sorrow and unmitigated human suffering that took place in the ``re-education'' camps of the Chinese Cultural Revolution. Ten years after his release, novelist and poet Zhang reconstructs his 22-year ``rehabilitation'' in Chinese labor camps by referring to a skeletal journal that he kept at the time. Days and weeks are collapsed into single words or short, neutral sentences in order to avoid the wrath of the censors—and the firing squad. He describes a life punctuated by extreme physical labor, up to 18 hours a day spent carrying his own weight in mud bricks or tending rice plants in brackish water that produced painful and extremely itchy inflammation of the legs. Rations, sufficient at first, were later cut to a few grains of rice and scoops of ``grass soup''—a liquid created by boiling the greens weeded out of the crop fields. Literally tens of millions died during the drought of 196062, and Zhang discusses survival tactics such as stealing vegetables and eating boiled rats and toads for extra nutrition. One man killed himself during a visit from his wife after devouring the food that she had brought, perhaps, Zhang speculates, to avoid becoming a ``hungry ghost,'' the worst of the spirits of the Chinese underworld. The most horrifying aspect of the camps was the practice of ``self-surveillance.'' The inmates were so conditioned to report themselves and others for ``anti- revolutionary'' words and actions that high walls and prison guards were unnecessary. Rather than planning escape attempts, most of the energy of the ``intellectual'' prisoners was spent defaming other inmates. The police state had achieved its highest goal—each citizen had begun to police the next. An extraordinary glimpse into one of the darkest periods of human history.

Pub Date: July 1, 1995

ISBN: 1-56792-030-6

Page Count: 256

Publisher: Godine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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