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WOMEN, SEATED

These characters may live in your head for some time due to Zhang’s fine pacing and quirky scenes.

A tight modern thriller about monied elites and corruption in mainland China also gives us a window into the life of a nanny to a privileged couple’s young son.

When 7-year-old Kuan Kuan wants something, he gets it. His gym-rat father, Hu Yafei, and artist mother, Qin Wen, lavish the boy with material goods even as they leave him largely in the care of his nanny, Yu Ling. As the book opens, Yu Ling and her lover Donghu have taken Kuan Kuan on a promised spring outing when they chance upon a man with a cargo of geese that Kuan Kuan insists are swans. His threatened tantrum might derail the day’s plans, so the duo buys him one goose that he names Swan. The fowl’s appearances throughout the rest of the book seem funny and in keeping with a spoiled child’s obsession. However, toward the finale, someone’s goose will be cooked because of Swan, and that’s not a hint about what’s for dinner—rather, it shows how carefully Zhang has planned the action. Yu Ling knows that the parents have disappeared, temporarily or not, due to charges leveled against Qin Wen’s father and the rest of the family by officials. She also believes that Qin Wen has information that keeps her tied to this position as nanny. Most important, and despite Kuan Kuan’s imperious ways, Yu Ling loves the little boy and doesn’t want him to come to any harm, so she tries to watch him with special care when a woman named Huang Xiaomin, who claims to be Hu Yafei’s mistress, arrives at the house and settles in for a long stay. From this point on savvy readers may be able to work out the very sudden and very odd ending, yet the real reward of the novel lies in how we pay attention: A portrait may be just a picture of a person, but the painter leads our eyes.

These characters may live in your head for some time due to Zhang’s fine pacing and quirky scenes.

Pub Date: Aug. 12, 2025

ISBN: 9780593851920

Page Count: 208

Publisher: Riverhead

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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WRECK

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

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A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).

Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

Pub Date: Oct. 28, 2025

ISBN: 9780063453913

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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