An enjoyable read full of book industry antics and plenty of dramatic surprises.
After taking drastic measures to deal with writer’s block, a struggling author finds herself part of some unexpected plot twists.
Once upon a time, Pippa Jones was a big name in the book world. Her debut novel was a smash and was made into a movie. But since then, she hasn’t published anything—even though she’s three years past the deadline for her next novel. But as a busy mom who feels more distant from her husband every day, she finds it hard to focus on writing—that is, until her agent calls and says she needs to turn a novel in ASAP or pay back her advance. Of course, she’s already spent the advance on an office renovation. In desperation, Pippa turns to a suggestion from her son: What if she wrote a book that was intentionally empty? A novel called Blank, full of literal blank pages, could highlight the fakery of the publishing world and, if it became a bestseller, show how ridiculous it is that some books succeed regardless of their content while truly great books languish in obscurity. Pippa’s out-there idea could revive her career…or completely tank it. Meanwhile, Pippa also faces family and friendship issues, but maybe she’ll be lucky enough to have second acts in both her work and her personal life. Owens (an author as well as a podcaster, bookstore owner, and publisher) clearly understands the publishing industry and has many thoughts about what she sees as its limitations. Her book shines, though, when focusing on Pippa’s personal drama and the way her support system surrounds her when she’s in crisis. It’s unclear if readers would actually shell out money for an empty book, but they’ll always be interested in is scandal, betrayal, and heartwarming bonds.
An enjoyable read full of book industry antics and plenty of dramatic surprises.Pub Date: March 1, 2024
ISBN: 9781662516696
Page Count: 270
Publisher: Little A
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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