"On the last few pages, the final words of the text break apart, sending letters drifting down into the illustrations to show us that once we have ventured out into the wider world, our stories never stay the same. (Picture book. 5-9)"
With this inventive retelling, Caldecott Medalist Wiesner (Tuesday, 1991) plays with literary conventions in a manner not seen since Scieszka's The Stinky Cheese Man and Other Fairly Stupid Tales (1993).
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