This audiobook benefits from the fine narration of actor John Grasl. Abe Jacob, a Mohawk living in Miami, returns to his tribal home on the New York-Canadian border. He's a failed poet who's divorced from a polyamorous wife and suffers from a rare autoimmune disease that has no cure. He also has a snarky alter-ego named Dominick Dear Woods, who narrates this compelling debut novel, which uses Jacob's illness as a kind of metaphor for the horrors of Native American treatment over five centuries by "colonizers." Grasl does voices well; in particular, he excels at the clipped delivery of Abe's great-uncle, a healer. The arc of the narrative includes intense sex scenes, a violent bar fight, and a dramatic healing session.
Pub Date: May 6, 2025
Duration: 10 hrs
DD ISBN: 9798349120459
Publisher: Hillman Grad Books
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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