Finely drawn characterizations drive this production.
Women have been disappearing at alarming rates in an alternate 1970s America, where an infection that manifests as an unbearable itch, extreme restlessness, and muddled consciousness is partially alleviated by migrating west. Compelling narration focuses on the increasingly entwined journeys of three women: Eve (Saskia Maarleveld), a dogged journalist covering the epidemic; Teenie (Mia Wurgaft), a young Southern woman traveling aboard a bus transporting those termed “westward women”; and Aimee (Mia Hutchinson-Shaw), a fresh college graduate at a personal crossroads who is searching for her friend. As the affliction strips women of memories and self-awareness, the narrators’ alternating performances humanize them through adversity, doubt, and triumph.
Finely drawn characterizations drive this production.Pub Date: March 10, 2026
Duration: 10 hrs, 42 mins
DD ISBN: 9781250434128
Publisher: Macmillan Audio
Review Posted Online: June 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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