by Alice McDermott ; read by Alice McDermott ‧ RELEASE DATE: Jan. 22, 1992
This audiobook centers on the trials and tribulations of a Catholic family--Lucy, May, Veronica and Agnes--four sisters who are raised by their aunt. Read by the author, the family's history is revealed through a series of seemingly isolated and unconnected events. The story seems rambling, and McDermott's voice is flat and unwavering as it drones on through the confusing cast of characters. The difficulty in keeping characters clearly in focus may be due to the abridgment or the narrator's lack of enthusiasm. Some audio books are superbly read by their creators; this is not one of them.
Pub Date: Jan. 22, 1992
Duration: 3 hrs
Publisher: Dove Audio
Review Posted Online: Jan. 22, 2026
by Michael Chabon ; read by David Colacci ‧ RELEASE DATE: N/A
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
by E.F. Benson ; read by Geraldine McEwen ‧ RELEASE DATE: N/A
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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