Edoardo Ballerini meets Towles is a happy alliance in this short story collection. J. Smith-Cameron narrates only one story. Golden Voice narrator Ballerini uses his full range of techniques. By turns nuanced and dramatic, he always serves the author’s fine prose. His smart pace and rich tone work particularly well for the noir novella set in late 1930s Hollywood. Evelyn Ross, from Towles’s novel RULES OF CIVILITY, has now moved on from New York City. Ballerini shines in the opening work, “New York: The Line,” about an average Russian, named Pushkin, who has a gift for helping others with Russia’s long food lines. These works are smaller bore than Towles’s novels, but they too have his touch: finely detailed characters, distinct settings, and deserved comeuppances.
Pub Date: April 16, 2024
Duration: 13 hrs, 30 mins
DD ISBN: 9780593827277
Publisher: Penguin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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