Narrator Jennifer Lim brings Angie Kim's debut novel to life. In rural Virginia, an experimental treatment facility offers cures for conditions like autism using a device call the Miracle Submarine. Then the device blows up, killing two people, and a murder trial follows. The story is full of unreliable narrators who are given unique voices by Lim. Protagonists Young and Pak's Korean accents are believable as they struggle to protect their pursuit of the American Dream. Their teenage daughter Mary's American voice is angry and resentful of her outsider status. In the courtroom scenes, prosecutor Abe's friendly Southern drawl masks his focused questioning, and defense lawyer Shannon's confident, relentless voice slowly exposes the lies and secrets that led to the tragedy. This impressive debut is enhanced by the talented Lim.
Pub Date: April 16, 2019
Duration: 14 hrs
DD ISBN: 9781250319487
Publisher: Macmillan Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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