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YOUR BLUES AIN'T LIKE MINE

Common threads of violence, poverty and sorrow weave together the Todd and Cox families. The murder of a young Todd in rural Mississippi in the 1950s begins the narrative of parallel lives. The two narrators give the story variety and help to shift the scene as we follow first the black Todd family then the white Coxes. Woodard has an especially appealing, sonorous voice. Her deep, modulated tones are almost too low at times and words are missed, but her portrayal makes the characters resonate. Smith's voice is very light and her female characters fare better than the males. This powerful audiobook is recommended.

Pub Date: Jan. 22, 1994

Duration: 3 hrs

Publisher: Time Warner Audio Books

Review Posted Online: Jan. 22, 2026

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    WONDER BOYS

    American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.

    Pub Date: N/A

    Duration: N/A

    Publisher: Brilliance Audio

    Review Posted Online: Jan. 22, 2026

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      QUEEN LUCIA

      Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.

      Pub Date: N/A

      Duration: 9 hrs

      Publisher: ISIS Audio Books

      Review Posted Online: Jan. 22, 2026

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