Shaun Taylor-Corbett performs this immersive audiobook in a restrained style. He modulates his voice depending on the scene, shifting his tone to reflect the various characters and authentically delivering the Diné language that is sprinkled through the text. Taylor-Corbett inhabits the soul of Damien, who has just lost his younger brother. He seeks refuge from his wounds by traveling to a mysterious seacoast town that is ruled by a powerful female family who run a dockside eatery. Magical realism colors this fine debut novel. People develop gills, tails, and hard shells, and the sea and its power over life and death is omnipresent. The author takes listeners on a journey that is part origin story, part evocation of climate disasters, and entirely worth listening to.
Pub Date: Aug. 22, 2023
Duration: 7 hrs, 15 mins
DD ISBN: 9780063241114
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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