Julia Whelan’s subdued narration sets a fittingly melancholy tone for this novel about the Simone family’s love and heartbreak. First, listeners will meet Claudio and Mathilde as they fall in love as young adults; then their daughters, Natasha, Lucy, and Carly, are introduced. The story deals with Claudio’s sister’s mental illness, as well as Lucy’s heart condition. Whelan’s smooth and engaged narration allows the lyrical writing to flow naturally. Since the Simones own a record store, music and lyrics are prominently featured throughout the novel. Whelan subtly captures the characters’ voices and expertly conveys their emotions, sweeping listeners into the lives of the family members until the final tearful moment.
Pub Date: April 12, 2016
Duration: 9 hrs
DD ISBN: 9781520004563
Publisher: Dreamscape
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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