Aiden Kelly gives a masterful narration of this brief novel, set in a small Irish town in 1985. Bill Furlong, the son of an unwed mother and now a coal merchant with a family, leads a comfortable life. But menace gradually creeps into Kelly's brogue, reflecting the shattering of Furlong's complacency. During a coal delivery to the town's convent, he finds a young woman locked and freezing in an outbuilding. As he learns more, he is shaken by the fate of the occupants of the Magdalene schools/laundries for unwed mothers and their babies. He also discovers how he and his mother avoided this fate. Kelly's chilling rendering of the Mother Superior's caustic voice is all a listener needs to hear to realize that this is no bucolic Irish tale.
Pub Date: Dec. 14, 2021
Duration: 2 hrs
DD ISBN: 9781696604925
Publisher: HighBridge Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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