Ireland’s sensitive performance turns what could have been soap-opera melodrama into a poignant family drama.
Marin Ireland is quite wonderful delivering this audiobook that explores a selfish action taken in the ’70s and its consequences years later. Facing a joyless marriage with a husband who shies away from intimacy, Nina leaves him and her family for a more promising life with her next-door neighbor, Finn. The decision shocks their respective families and has an especially devastating effect on Nina’s teenage daughter, Clara. Ireland handles the many voices with professional skill, but her strongest work lies in conveying the inner thoughts and feelings of the people involved. She brings truth to Nina’s guilt, Finn’s sense of urgency, and the children’s pain and disbelief.
Ireland’s sensitive performance turns what could have been soap-opera melodrama into a poignant family drama.Pub Date: March 3, 2026
Duration: 9 hrs
DD ISBN: 9780063377707
Publisher: Harper Audio
Review Posted Online: Feb. 10, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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