Caitlin Davies, as Angie Glass, leads off the narration of this mystery, told from the perspective of three related women. Angie, who is enamored of her charming, older husband, insists on joining him to comfort his niece Ruby after the news arrives that his brother has killed himself and Ruby's mother is missing. Through flashbacks, Davies and her fellow narrators--Jayme Mattler as Ruby and Cassandra Campbell as Ruby's mother--reveal these women's relationships with the Glass brothers and exactly what has led to this moment. Campbell and Mattler offer strong supporting performances, but Davies's ungainly cadence is entirely out of step with the text. Consequently, her delivery of the plot's revelations--predilections indulged and dangerous choices made--falls flat.
Pub Date: Feb. 6, 2018
Duration: 12 hrs
DD ISBN: 9781508253259
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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