A universe that is boldly Eggers: funny, heart-wrenching, and poignant.
A tender examination of how a deep friendship, told over a sprawling 60-year span, is enriched through the lens of fine art and—for better or worse—its adjacent worlds. Cricket and Olympia are vividly narrated by the singular voice of Dion Graham. They meet as young children and spend their lives in pursuit of art, happiness, and one another. Graham toggles between accents, ages, and a cast of characters you’ll want to spend hours with. From first sparks ignited during childhood art classes to successful exhibitions in adulthood, this immersive listen follows the treasure-map life of an artist.
A universe that is boldly Eggers: funny, heart-wrenching, and poignant.Pub Date: June 9, 2026
Duration: 12 hrs, 52 mins
DD ISBN: 9798217340125
Publisher: Random House Audio
Review Posted Online: today
Kirkus Reviews Issue: Aug. 1, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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