Theo Solomon does an incredible job navigating the complexities of this remarkable debut novel about storytelling; Black, queer identity; and the surprising connections between past and present. Kip is an Afro-Caribbean writer who barricades himself in his Brooklyn basement in order to finish his historical novel about Mohammed, the Egyptian lover of E.M. Forster. Soon, time blurs, and Kip and Mohammed's stories begin to merge. Solomon fully inhabits Kip, voicing all his pent-up anger and longing in tones that oscillate between dryly humorous and painfully vulnerable. It's difficult to convey just how powerful Solomon's performance of Kip's first-person narration is. This is an audiobook to fall into and linger in. Everything about it is magical.
Pub Date: June 7, 2022
Duration: 10 hrs
DD ISBN: 9780063159587
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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