Robin Miles, Adenrele Ojo, and Brittany Pressley team up to narrate this audiobook about three unforgettable mothers in South Carolina in 1924. Miles voices Annie, a plantation owner's wife and businesswoman in her own right, with a regal, prideful tone and clear enunciation. Ojo voices Retta, a first-generation freed slave, with tenacious righteousness, a perfect complement to her firm but generous nature. Pressley voices Gertrude, an impoverished and battered mother of four, with a hint of vocal fry that precisely reflects her harsh life. Pressley's narration of children's voices is particularly admirable and realistic--she sounds like a completely different person altogether. A wonderful, varied cast brings three seemingly unrelated women together in ways they never expected.
Pub Date: June 11, 2019
Duration: 11 hrs
DD ISBN: 9781488205552
Publisher: Harlequin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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