Narrator Jayne Entwistle's youthful voice sounds just right in her portrayal of Madame Tussaud, who started life as Anne Marie Grosholtz. Written as a memoir, or diary, the story of Tussaud's life begins when she is an orphaned child who learns about making wax casts from a Swiss doctor and continues with their sojourn in Paris, where she works with the sister of King Louis XVI to curate the waxwork museum there. Later in life, she returns to Paris after the French Revolution. Entwistle's stately reading of description paints verbal pictures, and subtle shifts in tone differentiate narrative from the sparse dialogue. Her minimally emotive reading takes the story from the luxury of the French Court to the violence of the French Revolution, and beyond.
Pub Date: Oct. 23, 2018
Duration: 10 hrs, 30 mins
DD ISBN: 9780525640639
Publisher: Penguin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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