An earthquake has hit Portland, Oregon, causing widespread chaos, and a woman is trying to find a way home. Ariel Blake narrates this story of nine-months-pregnant Annie, who must find a way to reach her husband and make her way home from crib-shopping through the widespread disorder that has resulted from the quake. Blake's dramatic narration captures Annie's fears and concerns as she talks to "Bean," her unborn child, telling the baby about the earthquake, describing her life with her husband, and pondering her and her husband's careers. Blake's voice quavers as she presents a mother-to-be who is full of emotion and self-reflection. Blake conveys Annie's worries, as well as the day-to-day details of her and her husband's lives while confronting the natural disaster.
Pub Date: March 25, 2025
Duration: 7 hrs
DD ISBN: 9781797186429
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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