Four narrators help listeners discover a mysterious, underwater world.
Four narrators bring this debut novel to life. Otta is an experienced diver returning to her hometown, where she meets May. May enlists her help to search for her daughter, Daphne, who has disappeared from an underwater community created years ago by a flooded valley. Charles Linshaw narrates interstitial chapters that give insight into the underwater town’s difficult beginnings. His voice reflects both uncertainty and tenacity. Emma Ladji pours world-weariness into Otta, who is reeling from a recent tragedy. Leeanna Albanese fills Daphne’s voice with hope and wonder as she makes discoveries. As May, Gail Shalan sounds almost hysterically desperate.
Four narrators help listeners discover a mysterious, underwater world.Pub Date: April 21, 2026
Duration: 10 hrs, 29 mins
DD ISBN: 9798217173983
Publisher: Random House Audio
Review Posted Online: yesterday
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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