While many readers have speculated that the character of Nick Adams is a stand-in for Ernest Hemingway, the author firmly maintained that his character was fictional. In these seminal stories, the author takes his character full circle from childhood to parenthood. Stacy Keach gives Adams the soft-spoken voice of an innocent, a tone that remains a constant even as the character encounters the realities of living, including hit men and the horrors of war. Keach expertly illuminates the way Hemingway's simple prose expresses something deeper. In stories like "Big Two-Headed River," Keach's narration reveals the hidden complexity of the author's style. Keach's voice often carries a nostalgic tone that makes the stories feel personal. These stories are familiar to many, but Keach's fresh reading is superb.
Pub Date: June 12, 2007
Duration: 7 hrs
DD ISBN: 9780743569668
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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