Gary Furlong narrates a touching father-and-son story that will leave listeners sorry when it's over. When Antonio is 18, he and his father travel from Italy to Marseille, where Antonio's doctor will tell them whether his early-onset epilepsy has cured itself. Father and son haven't been close, but this trip creates a lifelong connection. When the doctor prescribes 48 hours off his medicine with no sleep as the ultimate test, Antonio and his father stay awake together. Furlong convincingly creates Antonio's first experiences with his condition as a child and the many revealing moments shared with his father on their current journey. He deftly delivers the pair's growing tenderness, mutual respect, and awakening to each other's humanity. A loving, thoughtful coming-of-age story . . . beautifully performed.
Pub Date: March 16, 2021
Duration: 4 hrs
DD ISBN: 9780063028463
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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